A debut novel by Seattle writer and former lawyer Tara Conklin is the #1 Indie Next Pick for February The House Girl (HarperCollins/ Morrow). Bookseller Beverly Bauer of Redbery Books, Cable, WI, describes it,
“Lina, a young, ambitious New York attorney in 2004, never knew her mother. Josephine, a young house slave in 1852, never knew her child. More than a century apart, their lives connect in unexpected ways. Corporate law offices, art museums, antebellum homes, and the Underground Railroad provide the setting for a story filled with secrets, betrayals, and love. Does the House Girl title apply to both women? The paths of these strong women will have the reader marveling at the layers Conklin has created to tell their intertwined stories.”
New Book Pick for Good Housekeeping.
Marie Claire calls The House Girl the “book-club book of 2013”.
You can also read more musings from Tara at her blog, Popcorn the Blog.
SUMMARY:
Virginia, 1852. Seventeen-year-old Josephine Bell decides to run from the failing tobacco farm where she is a slave and nurse to her ailing mistress, the aspiring artist Lu Anne Bell. New York City, 2004. Lina Sparrow, an ambitious first-year associate in an elite law firm, is given a difficult, highly sensitive assignment that could make her career: she must find the “perfect plaintiff” to lead a historic class-action lawsuit worth trillions of dollars in reparations for descendants of American slaves.
It is through her father, the renowned artist Oscar Sparrow, that Lina discovers Josephine Bell and a controversy roiling the art world: are the iconic paintings long ascribed to Lu Anne Bell really the work of her house slave, Josephine? A descendant of Josephine’s would be the perfect face for the reparations lawsuit—if Lina can find one. While following the runaway girl’s faint trail through old letters and plantation records, Lina finds herself questioning her own family history and the secrets that her father has never revealed: How did Lina’s mother die? And why will he never speak about her?
Moving between antebellum Virginia and modern-day New York, this searing, suspenseful and heartbreaking tale of art and history, love and secrets, explores what it means to repair a wrong and asks whether truth is sometimes more important than justice.
