Announcing the 2022 Women’s Prize for Fiction Shortlist!

According to the Women’s Prize for Fiction website, this year’s shortlist incorporates a range of themes including belonging and identity; the power of nature; the burden of history; personal freedom; sisterhood; mental illness; ghosts; gender violence; and the opportunity for renewal. The novels also offer globe-spanning settings, from Antarctica to Montana, Cyprus to Trinidad. 

This year’s shortlist has been selected by the Chair of Judges Mary Ann Sieghart and her judging panel: Lorraine Candy, award-winning journalist and editor; Dorothy Koomson, global bestselling novelist, journalist and podcaster; Anita Sethi, award-winning author and literary journalist; and Pandora Sykes, journalist, broadcaster and author.

Here is some information on the nominated titles.

THE SENTENCE by Louise Erdrich

“Dazzling. . . . A hard-won love letter to readers and to booksellers, as well as a compelling story about how we cope with pain and fear, injustice and illness. One good way is to press a beloved book into another’s hands. Read The Sentence and then do just that.”—USA Today, Four Stars

In this New York Times bestselling novel, Pulitzer Prize and National Book Award–winning author Louise Erdrich creates a wickedly funny ghost story, a tale of passion, of a complex marriage, and of a woman’s relentless errors.

Louise Erdrich’s latest novel, The Sentence, asks what we owe to the living, the dead, to the reader and to the book. A small independent bookstore in Minneapolis is haunted from November 2019 to November 2020 by the store’s most annoying customer. Flora dies on All Souls’ Day, but she simply won’t leave the store. Tookie, who has landed a job selling books after years of incarceration that she survived by reading “with murderous attention,” must solve the mystery of this haunting while at the same time trying to understand all that occurs in Minneapolis during a year of grief, astonishment, isolation, and furious reckoning.

The Sentence begins on All Souls’ Day 2019 and ends on All Souls’ Day 2020. Its mystery and proliferating ghost stories during this one year propel a narrative as rich, emotional, and profound as anything Louise Erdrich has written. 

GREAT CIRCLE by Maggie Shipstead

NEW YORK TIMES BESTSELLER • A TODAY SHOW #ReadWithJenna BOOK CLUB PICK • WOMEN’S PRIZE FOR FICTION NOMINEE • The unforgettable story of a daredevil female aviator determined to chart her own course in life, at any cost: an “epic trip—through Prohibition and World War II, from Montana to London to present-day Hollywood—and you’ll relish every minute” (People).

After being rescued as infants from a sinking ocean liner in 1914, Marian and Jamie Graves are raised by their dissolute uncle in Missoula, Montana. There–after encountering a pair of barnstorming pilots passing through town in beat-up biplanes–Marian commences her lifelong love affair with flight. At fourteen she drops out of school and finds an unexpected and dangerous patron in a wealthy bootlegger who provides a plane and subsidizes her lessons, an arrangement that will haunt her for the rest of her life, even as it allows her to fulfill her destiny: circumnavigating the globe by flying over the North and South Poles.

A century later, Hadley Baxter is cast to play Marian in a film that centers on Marian’s disappearance in Antarctica. Vibrant, canny, disgusted with the claustrophobia of Hollywood, Hadley is eager to redefine herself after a romantic film franchise has imprisoned her in the grip of cult celebrity. Her immersion into the character of Marian unfolds, thrillingly, alongside Marian’s own story, as the two women’s fates–and their hunger for self-determination in vastly different geographies and times–collide. Epic and emotional, meticulously researched and gloriously told, Great Circle is a monumental work of art, and a tremendous leap forward for the prodigiously gifted Maggie Shipstead.

THE BOOK OF FORM & EMPTINESS by Ruth Ozeki

“No one writes like Ruth Ozeki—a triumph.” —Matt Haig, New York Times bestselling author of The Midnight Library

“Inventive, vivid, and propelled by a sense of wonder.” —TIME

“If you’ve lost your way with fiction over the last year or two, let The Book of Form and Emptiness light your way home.” —David Mitchell, Booker Prize-finalist author of Cloud Atlas 

Longlisted for the Women’s Prize for Fiction

A boy who hears the voices of objects all around him; a mother drowning in her possessions; and a Book that might hold the secret to saving them both—the brilliantly inventive new novel from the Booker Prize-finalist Ruth Ozeki


One year after the death of his beloved musician father, thirteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house—a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn’t understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous.
 
At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world. He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many.
 
And he meets his very own Book—a talking thing—who narrates Benny’s life and teaches him to listen to the things that truly matter.
 
With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, The Book of Form and Emptiness is classic Ruth Ozeki—bold, wise, poignant, playful, humane and heartbreaking.

SORROW & BLISS by Meg Mason

“Brilliantly faceted and extremely funny. . . . While I was reading it, I was making a list of all the people I wanted to send it to, until I realized that I wanted to send it to everyone I know.” — Ann Patchett

“Improbably charming…will have you chortling and reading lines aloud.” —PEOPLE

The internationally bestselling, compulsively readable novel—spiky, sharp, intriguingly dark, and tender—that combines the psychological insight of Sally Rooney with the sharp humor of Nina Stibbe and the emotional resonance of Eleanor Oliphant Is Completely Fine.

Martha Friel just turned forty. She used to work at Vogue and was going to write a novel. Now, she creates internet content for no one. She used to live in Paris. Now, she lives in a gated community in Oxford that she hates and can’t bear to leave. But she must now that her loving husband Patrick has just left.

Because there’s something wrong with Martha. There has been since a little bomb went off in her brain, at seventeen, leaving her changed in a way no doctor or drug could fix then and no one, even now, can explain—why can say she is so often sad, cruel to everyone she loves, why she finds it harder to be alive than other people.

With Patrick gone, the only place Martha has left to go is her childhood home, to live with her chaotic parents, to survive without Ingrid, the sister who made their growing-up bearable, who said she would never give up on Martha, and who finally has.

It feels like the end but maybe, by going back, Martha will get to start again. Maybe there is a different story to be written, if Martha can work out where to begin.

THE ISLAND OF MISSING TREES by Elif Shafak

A REESE’S BOOK CLUB PICK

“A wise novel of love and grief, roots and branches, displacement and home, faith and belief. Balm for our bruised times.” ?David Mitchell, author of Utopia Avenue

A rich, magical new novel on belonging and identity, love and trauma, nature and renewal, from the Booker-shortlisted author of 10 Minutes 38 Seconds in This Strange World.

Two teenagers, a Greek Cypriot and a Turkish Cypriot, meet at a taverna on the island they both call home. In the taverna, hidden beneath garlands of garlic, chili peppers and creeping honeysuckle, Kostas and Defne grow in their forbidden love for each other. A fig tree stretches through a cavity in the roof, and this tree bears witness to their hushed, happy meetings and eventually, to their silent, surreptitious departures. The tree is there when war breaks out, when the capital is reduced to ashes and rubble, and when the teenagers vanish. Decades later, Kostas returns. He is a botanist looking for native species, but really, he’s searching for lost love.

Years later a Ficus carica grows in the back garden of a house in London where Ada Kazantzakis lives. This tree is her only connection to an island she has never visited— her only connection to her family’s troubled history and her complex identity as she seeks to untangle years of secrets to find her place in the world.

A moving, beautifully written, and delicately constructed story of love, division, transcendence, history, and eco-consciousness, The Island of Missing Trees is Elif Shafak’s best work yet.

THE BREAD THE DEVIL KNEAD by Lisa Allen-Agostini

Alethea Lopez is about to turn 40. Fashionable, feisty and fiercely independent, she manages a boutique in Port of Spain, but behind closed doors she’s covering up bruises from her abusive partner and seeking solace in an affair with her boss. When she witnesses a woman murdered by a jealous lover, the reality of her own future comes a little too close to home.

Bringing us her truth in an arresting, unsparing Trinidadian voice, Alethea unravels memories repressed since childhood and begins to understand the person she has become.

Her next step is to decide the woman she wants to be.

This is an engrossing and atmospheric novel with a strong feminist message at the heart of its page-turning plot. It explores an abusive love-affair with searing honesty, and skilfully tackles the issue of gender violence and racism against the lush and heady backdrop of the national festival, and the music that feeds it. It’s impossible not to root for Alethea – she is an unforgettable heroine, trapped in ways she is only just beginning to understand but shining with strength, resolve and, ultimately, self-determination.

Bookfinds

Bookfinds Editor. Book Reviewer.

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